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HALS, Frans

Dutch painter (b. 1580, Antwerpen, d. 1666, Haarlem).
HALS, Frans Portrait of a Man sg painting


Portrait of a Man sg
Portrait of a Man sg
Painting ID::  7329
   1630 Oil on canvas, 116,1 x 90,1 cm Royal Collection, London
  1630 Oil on canvas, 116,1 x 90,1 cm Royal Collection, London

 
 
   
      

HALS, Frans

Dutch painter (b. 1580, Antwerpen, d. 1666, Haarlem).
HALS, Frans Portrait of a Man sg painting


Portrait of a Man sg
Portrait of a Man sg
Painting ID::  7341
   1634 Oil on canvas, 82,5 x 70 cm Museum of Fine Arts, Budapest
  1634 Oil on canvas, 82,5 x 70 cm Museum of Fine Arts, Budapest

 
 
   
      

HALS, Frans

Dutch painter (b. 1580, Antwerpen, d. 1666, Haarlem).
HALS, Frans Portrait of a Man sg painting


Portrait of a Man sg
Portrait of a Man sg
Painting ID::  7377
   1650-52 Oil on canvas, 115 x 84,5 cm National Gallery of Art, Washington
  1650-52 Oil on canvas, 115 x 84,5 cm National Gallery of Art, Washington

 
 
   
      

MORETTO da Brescia

Italian High Renaissance Painter, 1498-1554 Italian painter. Together with Romanino and Giovanni Girolamo Savoldo, he was one of the most distinguished painters of Brescia of the 16th century. Influenced by both Lombard verism and contemporary Venetian painters, Moretto created an individual style in which realism and Venetian light and colour were perfectly balanced. He was personally involved in the local movement of Roman Catholic reform, and this is reflected in his direct, solemn and often moving depictions of religious subjects.
MORETTO da Brescia Portrait of a Man sg painting


Portrait of a Man sg
Portrait of a Man sg
Painting ID::  8284
   c. 1520 Oil on canvas, 73,7 x 56 cm Museum of Fine Arts, Budapest
  c. 1520 Oil on canvas, 73,7 x 56 cm Museum of Fine Arts, Budapest

 
 
   
      
MORETTO da Brescia
Italian High Renaissance Painter, 1498-1554 Italian painter. Together with Romanino and Giovanni Girolamo Savoldo, he was one of the most distinguished painters of Brescia of the 16th century. Influenced by both Lombard verism and contemporary Venetian painters, Moretto created an individual style in which realism and Venetian light and colour were perfectly balanced. He was personally involved in the local movement of Roman Catholic reform, and this is reflected in his direct, solemn and often moving depictions of religious subjects.
Portrait of a Man sg
c. 1520 Oil on canvas, 73,7 x 56 cm Museum of Fine Arts, Budapest
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| San Francisco Bay from the Alameda Hills (mk42) | Portrait of a Man | Vulcan s smelter | Genfersee mit Mont-Blanc im Morgenrot | The last Mossback |

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